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  • City of Oxford: panoramic cityscape including the university. Etching by J. Whessell, 1837.
  • Église Métropolitaine and the Hôtel Dieu, Paris: panoramic view. Etching.
  • National Hospital for Incurables and St. Mary's Church, Cowley St. John, Oxford. Transfer lithograph by J. Akerman, 1873, after C. Buckeridge.
  • Great St. Mary's Church, Cambridge: interior towards the west end. Line engraving by J. Le Keux, 1824, after J.P. Neale.
  • Baths of Diocletian, Rome: with San Bernardo alle Terme, Santa Susanna and Santa Maria degli Angeli in the background. Etching by I. Sylvestre.
  • All Souls College and St. Mary's Church, Oxford: showing the gateway. Line engraving by J. Basire after H. O'Neill.
  • Oriel College, Oxford: panoramic views. Line engraving by G. Hollis, 1829, after himself.
  • Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.
  • Queen's College and High Street, Oxford: panoramic view. Reproduction of a drawing by V.H. Bailey.
  • Queen's College, Oxford: showing panoramic view of All Souls College and St. Mary's Church. Line engraving.
  • Brasenose College, Oxford: quadrangle, with St. Mary's Church and the Radcliffe Camera behind. Line engraving by J. Basire after J.M.W. Turner.
  • Church of St. Ignatius, Jesuit Pharmacy Hospital College, Rome: with a Benedictine convent and St. Mauro's monument. Line engraving after O. Grassi.
  • Eleazar and Matthan in a half roundel. Engraving by A. Cunego after A. de Angelis after Michelangelo.
  • Collegium Romanum, Rome: with the extended piazza a key to the surrounding buildings. Line engraving.
  • Queen's College, Oxford: panoramic view with the High Street. Etching by J. Newman.
  • The church of Saint Peter-in-the-East, Oxford: section of the chancel and plan of the crypt. Line engraving by J. Basire, 1835, after G. Gwilt, 1818.
  • Jacob and Joseph with their sons in a half roundel in the Vatican. Engraving by A. Cunego (?) after A. de Angelis (?) after Michelangelo.
  • The Lichtenstein Palace and gardens, Frankfurt-am-Main, Germany: with the Spanish Hospital and Notre Dame de la Mercy Church in the background. Coloured line engraving.
  • Brasenose College, Oxford: quadrangle with the Radcliffe Camera in the background. Etching by H. Toussaint.
  • St. Peter-in-the-East, Oxford: crypt showing bones and skulls. Coloured aquatint by J. Bluck, 1813, after F. Nash.
  • Oxford: cityscape view from the north. Etching by J. Whessell, 1825, after himself.
  • The church of Saint Charles Borromeo (Karlskirche) and the chapel of Saint Roch, Vienna. Engraving by J.A. Corvinus after S. Kleiner.
  • Virgil and A. Pollio deep in conversation above a bustling town and harbour, Saloninius (Pollio's infant son) lies in a cradle at their feet. Woodcut after Virgil.
  • Virgil and A. Pollio deep in conversation above a bustling town and harbour, Saloninius (Pollio's infant son) lies in a cradle at their feet. Woodcut after Virgil.
  • St. Mary's Church, Oxford: from the High Street with Queen's, All Souls and University Colleges, and Carfax Tower. Etching by H. Toussaint.
  • Wounded foreigners outside the city walls being picked up by French soldiers and taken to a guarded fortress. Coloured lithograph by G. Engelmann after H. Lecomte, 1820.
  • Radcliffe Camera, Oxford: panoramic view showing All Soul's College, St. Mary's Church and Brasenose College. Pencil drawing by W.W. Burgess, 1901.
  • Radcliffe Camera, Oxford: panoramic view showing All Soul's College, St. Mary's Church and Brasenose College. Pencil drawing by W.W. Burgess, 1901.
  • St. John's College, St. Giles and St. Giles Church, Oxford: panoramic view. Line engraving by M.A. Rooker after himself, 1779.
  • Wadham College, Oxford: panoramic view of the city from the grounds. Line engraving by W. Radclyffe, 1848, after F. Mackenzie.